Welcome to the first edition of Carrie Coon’s Costume Corner, where we honor and unpack the sumptuous and occasionally fantastical costume design of The Gilded Age, beginning with "You Don't Even Like Opera."
Welcome back to Carrie Coon’s Costume Corner, our Gilded Age column covering exclusively Carrie Coon’s costumes in her role as the beautiful and socially ambitious nouveau riche matron Bertha Russell.
Another week, another opportunity to marvel at Kasia Walicka Maimone’s costume design work on The Gilded Age. This week, Bertha wears just three ensembles, and while each has its merits, none is so notable that I’ve been thinking about it for days
Welcome back to Carrie Coon’s Costume Corner, our Gilded Age column covering exclusively Carrie Coon’s costumes in her role as the beautiful and socially ambitious nouveau riche matron Bertha Russell.
Most but not all answers were revealed in Criminal Record's finale, “Carla,” the eighth and final episode of the season. And I have to admit it was a bit of a letdown.
Dirty cops, a murder mystery, and a dogged detective willing to buck the system. We’ve seen it all before, but what truly sets AppleTV+’s new series Criminal Record apart is the cast.
And after alllllllllllllllladat nonsense, in a supreme insult to the audience who battled their way through this clumsy, miserable yarn, Alice & Jack’s sixth and final episode is a clip show.
After a decently tolerable Episode 4, Alice & Jack punishes us for having let our guard down, pushing the limits of just how much nonsense an audience can take and creating a deeply unpleasant experience.
Suit up, friends. It’s time for Alice & Jack's wedding of the century: Alice and… (checks notes) some poor schmo named Danny. Don't worry; it won't go well.
