At a punishing two hours, Back to Black rarely, if ever, stops being boring, flattening just what makes Amy Winehouse’s story so worthy in the process.
Santa is bringing a present a bit early to everyone that loves hit series Call the Midwife! It’s official: the period drama will be back on American televisions much sooner than almost anyone could have imagined, with a special Christmas installment
Most people only know of Cannes as a film festival, but the real purpose of the event is the business side. This year's wave of potential British projects looking for buyers is more like a tsunami, but so far, only Tenzing has landed one.
Welcome to Wrexham scores a fourth-season renewal as the team receives a promotion to League One, with FX promising more episodes to come in early 2025.
It's not exactly a happy ending, and not every thread is neatly tied up, but MaryLand's finale is at least satisfying, which is more than one can say for some Masterpiece shows this season.
The series finale of Scottish fan favorite Guilt opts for the least exciting outcomes in nearly all the story threads, making this a whole lot of build-up for nothing.
Harry Wild’s lively third season brings back the mystery genre’s unlikeliest crime-solving pair in would-be-retiree Harry and 16-year-old Fergus, who take on Dublin’s most perplexing murders, all wrapped up neatly in an hour.
A year after it was brought to the Cannes Market, the latest remake of Hamlet, starring Riz Ahmed in the titular role and set in modern-day London, finally has a distribution deal.
