The Wonderful Story of Henry Sugar feels like we’re being invited into a very personal Wes Anderson space, where he makes a deep-cut his own, while still venerating an author he clearly loves.
In the Land of Saints and Sinners is a film with one of the strongest Irish casts in recent memory and a script with frighteningly little to offer them.
Finally Dawnworks best as a pithy blurb summing up all that’s noteworthy about it, handily omitting the fact that everything that’s interesting about the finished product is stranded in an intolerably long and dull film.
Uninterested in the tropes and discourses surrounding today’s queer cinema, Femme tells an urgent story that raises complicated questions about queer justice and belonging.
Charlotte Regan's debut film Scrapper is exactly as it's named: a thinly plotted story with a gorgeous aesthetic and a fierce drive that demands your attention.
