Rory Doherty

Nowhere Special’s delayed release is, well, nothing special, but neither is the careful and unambitious film.

Despite sounding like a twee English village comedy with ludicrously small stakes and a lot of homegrown British heart, Mr Bates vs The Post Office is about one of the most egregious and calamitous miscarriages of justice in the United Kingdom.
 

Netflix's Scoop is entertaining. The central interview is a corker, and Newsnight’s process from pitching to airing is compelling to watch. But Scoop has little clue what the point of Scoop should be.

Dev Patel enters his action hero era; however, his directorial debut, Monkey Man, which he co-wrote and stars in, is not psychologically probing.

Wicked Little Letters suffers from a severe tone problem as if the deepest resonance of its true story is struggling to be heard from within the British romp formula.

Boat Story, the latest series from Baptiste's Jack & Harry Williams to make it across the pond, isn't a complete disaster. It's just not nearly as clever as they think it is. But hey, at least it's streaming for free.

Between Barbenheimer, Poor Things, and The Zone of Interest, it’s a terrifically strong year for Britain at the Academy Awards. Ahead of Sunday’s ceremony, we break down every British nominee who’s in with a shot of Oscar gold.
 

Villeneuve has pulled off a difficult task – Dune and Dune: Part Two have turned the text into thoughtful and exciting cinema, albeit with a lot of intricacies and nuances of the world-building sanded off.