'Killing Eve' Season 4, Episode 4 Recap: "It's Agony & I'm Ravenous"

The more things change on Killing Eve, the more they stay the same. Villanelle is behind bars, but Eve has merely found herself a new high-heeled hurricane to fill the hole. This one has a bit more money, is technically one step higher than Villanelle on the food chain, and has an entire West End theater to meet in. However, Eve's games with Hélène feel like she's doing a speed run of her relationship with Villanelle in Seasons 1-2. The main difference is that Hélène, unlike Villanelle, is handing out the envelopes with the assignments. Including ones prepared for Villanelle once she's ready to get out of her cell.

Carolyn: Humans are a message board; there's a little bit of everything. And if you think that your flair for murder speaks to a kind of... lack of humanity, you're wrong. Killing is primal. It's what nature intended, and who are we to quibble with nature? Why waste your time being good when you can be good at what you are good at? That's what I think, anyway. But what do I know? I've just probably got a concussion. And I'm ravenous. Fancy a sandwich before you dash my brains out?

However, Eve has bigger fish to fry than obsessing over her new Twelve contact. She will figure out who Lars Meier is because she realizes that Hélène doesn't even know herself. With the help of Yusuf, she finds a single Instagram shot on Fernanda's timeline, and facial recognition brings back a photograph by Eugenie Allard, which only identifies him as "a revolutionary." Allard is long dead, but her Parisian daughter, Annie (Caroline Lonq), has the whole photo roll in an antique shop, bringing Eve back to France.