BritBox
‘A Woman of Substance’ Puts Emma Harte in Danger
I’ve waited years for any of my children to show any kind of initiative or ambition. A coup – I’m almost impressed.
BritBox
I’ve waited years for any of my children to show any kind of initiative or ambition. A coup – I’m almost impressed.
BritBox
Emma tells her wealthy admirer, Edwin, she will never die in poverty as her mother did.
Apple TV
Apple TV has decided to keep 'Slow Horses' as its main fall premiere for a third year, with Season 6 starting in September 2026.
BritBox
'A Woman of Substance's first trailer is here, and this show is going to be a journey.
BritBox
The highly anticipated period drama remake will kick off a big summer for the British streamer.
Disney/Hulu
Reason is as reason does in 'Am I Being Unreasonable's third and final season.
Apple TV
Fans of Apple TV+'s Slow Horses, based on the Mick Herron thrillers The Slough House Series, prepare to ride out in the fall. The series, which has slowly built itself into one of Apple TV+'s most reliable and solid performers over four seasons, has set a
BBC
Vampire fiction has always been popular, whether on the printed page, the big screen, or streaming services. From more overtly prestige properties like Interview with the Vampire and True Blood to soapy romances like The Vampire Diaries and Twilight, we’ve always been fascinated by this particular idea of the
Channel 4
The 1979 debut novel of British author Barbara Taylor Bradford, A Woman of Substance, was a massive hit. The first in what became the “Emma Harte Cycle,” a seven-novel saga tracing the fictional heroine’s rise from country housemaid to Wall Street mogul, sold 30 million copies and made
Disney/Hulu
The deranged dramedy Am I Being Unreasonable? has returned in all its dysfunctional glory, dropping all episodes of a second season that manages to outpace the first. The second season action starts minutes after Season 1's conclusion at Alex’s memorial, except now Nic is bolting out of
Disney/Hulu
The BBC and the press have bemoaned the lack of successful comedies from the U.K.'s public production studios in the past few years. Most of these have focused on the "easily offended" crowd and other nonsense as if one needs to be offensive to be