PBS
‘The Forsytes’ Season 1 Outfits Are Fit for Intergenerational Soapiness
'The Forsytes' soapiness is woven into its Season 1 costumes.
Costume Design
Carrie Coon’s Costume Corner: 'The Gilded Age' Season 3 Finale Goes Sartorially Hard
Welcome once again, friends, to Carrie Coon’s Costume Corner, where we look closely at the costume design of The Gilded Age and think out loud about design inspiration, as well as how they reflect and highlight various character relationships. It's been one of this site's
Costume Design
Carrie Coon’s Costume Corner: 'The Gilded Age' Season 3 Runs the Gamut
Welcome back to Carrie Coon’s Costume Corner, where we take a costume design enthusiast’s look at the most exuberant, over-the-top, and memorable looks designed by Kasia Walicka Maimone and her team for the cast of The Gilded Age. If you’re new here, prior coverage of Season 3
HBO & HBO Max
Carrie Coon’s Costume Corner: 'The Gilded Age' Season 3 Tones Down
Greetings, fellow Gilded Age viewers! (Is there an Internet-approved name for us? Are we Gild Members? Members of the Mamie Fish Appreciation Society? Geegaw Gapers? I’m open to nominations!) HBO’s historical soap is notable for many things – Broadway stars letting it rip every scene they’re in, its
PBS
Louis & His Queen Don the Finest Finery in 'Marie Antoinette’s Finale
And so we come to the end of the beginning; conveniently, also the name of this episode, which suits our final exploration of the most lavish and interesting costume design moments in Marie Antoinette’s second season. This episode features many reliable old friends I’ve discussed before, including Provence’
PBS
'Marie Antoinette' Season 2 Costumes Take A Backseat to Drama in Its Later Episodes
The two penultimate episodes of Marie Antoinette’s second season don’t feature much novelty in the costumes. However, what they lack in that area, they make up for in pure drama, thanks to Cardinal Rohan’s great-aunt, Madame de Rohan-Soubise, and Ol’ Sourpuss himself, King Louis’s brother, Provence.
PBS
'Wolf Hall' Costume Notes: "Mirror" & "Light" Dress Henry Up & Cromwell Down
Wolf Hall has concluded, long live Wolf Hall in all its iterations! The final two episodes of the miniseries present viewers with a steep downward slope for our equally flawed and compelling protagonist as one thing after another goes wrong for him. Anna of Cleves’s arrival and all too
PBS
Haute Outerwear Steals the Show in 'Marie Antoinette’s Mid-Season
Welcome to the mid-season report on the best costumes for Marie Antoinette’s second season. Personal and political machinations from just about every character continue to unfold, including the Queen’s public image, marriage, and extra-marital relationship; the fortunes of various publicly loyal but privately threatening courtiers; and of course,
PBS
'Wolf Hall' Costume Notes: Tudor-wear Fit for Royalty & Relations
Mirrors! Lights! Camera! Action! It’s time for another spin through the lookbooks of Wolf Hall's second season, The Mirror and The Light, in search of the most remarkable costumes. This week's column will cover Episodes 2 through 4 ("Obedience," "Defiance," and
PBS
All In The Details: Making 'Marie Antoinette' Season 2 Costumes Dazzle
From the start, the second season of Marie Antoinette holds a smattering of small victories and an overabundance of significant-to-catastrophic losses, but everyone sure looks gorgeous through it all. We could publish daily close-reads of nearly every scene’s visual riches, and if there were considerably less TV to cover,
Feature
'Wolf Hall' Costume Notes: The "Wreckage" of a Visual Wedding Feast
Our long international literary adaptation nightmare is over. Mark Rylance, Damian Lewis, and Kate Phillips are back on our screens for the next six weeks, and while a great many things are not remotely all right with either the worlds of Tudor England or the present day, at least we
Netflix
Bustling With 'Bridgerton': Cressida Cowper's Armor for the Discerning Regency Young Lady
Welcome to the final issue of Bustling With Bridgerton, a series celebrating and delving into the costumes designed for four of Bridgerton’s most interesting characters: Queen Charlotte, Eloise Bridgerton, Penelope Featherington, and Cressida Cowper. Between the releases of the season’s two halves, costume designer John Glaser, along with